However, despite the enthusiasm, I admit that I did not have a clear idea of the business model that could make sustainable an educational activity that at that time was done out of passion . I remained in this limbo for the next 3 years and in hindsight I believe that the causes of this stalemate were two: a sensational impostor syndrome : in the music world, the idea that if you have not been successful you cannot afford to teach anything is heavy and stressful. Now I know idea or at least subjective: I know famous and even rich artists who are profoundly unhappy.
Did this happen? However, for years, the idea of afghanistan consumer mobile number list aving to adhere to the stereotypical idea of success has mortified my self-esteem, my ability to give myself credit and ultimately my predisposition to act. I was still too full of EGO : what I was doing was not yet genuinely driven by solving a problem for people… but by solving my problem . Which was to make myself known, to have visibility, and then promote my music . This obsession with promoting art will be the death of art, and of artists. I'm happy to have saved myself and to have succeeded also thanks to the Marketers Method .
well that success is an ephemeral
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